By Garrison | Published: January 5, 2009
In The Handbook of Inaesthetics, Alain Badiou assembles ten “Theses on Theater,” which, at first glance anyway, offer game studies some compelling parallels. Indeed, he begins generously, furnishing us with the very link that we require. The purpose of the theses? “To establish—as we must for every art—that theater thinks” (72; emphasis mine). In a happy [...]
Badiou and Theatre